Furniture
MARTELL GALLERY
René Drouet
Rare Art Deco Patinated Wrought‑Iron Daybed Attributed to René Drouet, irca 1940
Iron and Velvet
Location: Miami
White-glove shipping available worldwide. Contact for quote.
Location: Miami
White-glove shipping available worldwide. Contact for quote.
83.50"W x 29.75"D x 20"H
Seating Height: 17"
Seating Height: 17"
A1909
$ 18,000.00
Further images
Exceptionally rare French Art Deco daybed in patinated wrought iron, attributed to renowned decorator René Drouet, circa 1940. This sculptural piece combines the lightness of an open metal frame with...
Exceptionally rare French Art Deco daybed in patinated wrought iron, attributed to renowned decorator René Drouet, circa 1940. This sculptural piece combines the lightness of an open metal frame with the comfort of generous upholstered volumes, a vocabulary closely associated with Drouet’s seating and tables.
The long, low daybed rests on a finely worked wrought‑iron structure, finished in a soft white patina that highlights the sinuous scrolls of the feet and the elegantly curved side supports. Linear side rails and a banded lower apron create a strong horizontal rhythm, punctuated by a series of circular rings that recall the geometric metalwork of Drouet’s documented coffee tables and benches.
A thick seat cushion and matching cylindrical bolsters are upholstered in medium grey velvet with contrasting white piping, echoing the metal frame and reinforcing the refined monochrome palette. The proportions are generous yet visually light, allowing the daybed to float in space and function as both seating and sculptural focal point in a room.
While René Drouet is highly sought after for his wrought‑iron tables, benches, lighting and occasional seating, documented and attributed daybeds are notably scarce on the market. Period references and auction records show a concentration of tables, stools, and lounge chairs, underscoring the rarity of this low, fully developed daybed form within his oeuvre. The combination of an all‑metal patinated frame with original‑style scroll details and contemporary upholstery makes this example particularly desirable for collectors of French Art Deco and French Forties design.
While René Drouet is highly sought after for his wrought‑iron tables, benches, lighting and occasional seating, documented and attributed daybeds are notably scarce on the market. Period references and auction records show a concentration of tables, stools, and lounge chairs, underscoring the rarity of this low, fully developed daybed form within his oeuvre. The combination of an all‑metal patinated frame with original‑style scroll details and contemporary upholstery makes this example particularly desirable for collectors of French Art Deco and French Forties design.
René Drouet (1899–1993) was a leading French designer and decorator who trained at the École Boulle and worked with Maison Maurice Dufrêne and other prominent Parisian firms before establishing his own workshop. A devoted exponent of the Art Deco style, he carried its elegant geometry and craftsmanship into the 1940s, often using wrought iron, refined patinas, and luxurious upholstery to create furniture that hovers between sculpture and architecture. His work has been exhibited and collected internationally, and examples of his tables, seating, and lighting are now considered benchmarks of French Art Deco and early mid‑century design.
The long, low daybed rests on a finely worked wrought‑iron structure, finished in a soft white patina that highlights the sinuous scrolls of the feet and the elegantly curved side supports. Linear side rails and a banded lower apron create a strong horizontal rhythm, punctuated by a series of circular rings that recall the geometric metalwork of Drouet’s documented coffee tables and benches.
A thick seat cushion and matching cylindrical bolsters are upholstered in medium grey velvet with contrasting white piping, echoing the metal frame and reinforcing the refined monochrome palette. The proportions are generous yet visually light, allowing the daybed to float in space and function as both seating and sculptural focal point in a room.
While René Drouet is highly sought after for his wrought‑iron tables, benches, lighting and occasional seating, documented and attributed daybeds are notably scarce on the market. Period references and auction records show a concentration of tables, stools, and lounge chairs, underscoring the rarity of this low, fully developed daybed form within his oeuvre. The combination of an all‑metal patinated frame with original‑style scroll details and contemporary upholstery makes this example particularly desirable for collectors of French Art Deco and French Forties design.
While René Drouet is highly sought after for his wrought‑iron tables, benches, lighting and occasional seating, documented and attributed daybeds are notably scarce on the market. Period references and auction records show a concentration of tables, stools, and lounge chairs, underscoring the rarity of this low, fully developed daybed form within his oeuvre. The combination of an all‑metal patinated frame with original‑style scroll details and contemporary upholstery makes this example particularly desirable for collectors of French Art Deco and French Forties design.
René Drouet (1899–1993) was a leading French designer and decorator who trained at the École Boulle and worked with Maison Maurice Dufrêne and other prominent Parisian firms before establishing his own workshop. A devoted exponent of the Art Deco style, he carried its elegant geometry and craftsmanship into the 1940s, often using wrought iron, refined patinas, and luxurious upholstery to create furniture that hovers between sculpture and architecture. His work has been exhibited and collected internationally, and examples of his tables, seating, and lighting are now considered benchmarks of French Art Deco and early mid‑century design.